Wednesday, April 25, 2012
Arizona and Interposition - NYTimes.com
Arizona and Interposition - NYTimes.com
Editorial
Arizona and Interposition
Published: April 24, 2012
An important verb appears on page 14 of the government’s brief in Arizona v. the United States, the case about four provisions of that state’s immigration law that will be argued on Wednesday in the Supreme Court. The government says Arizona is trying to “interpose” its own judgments on “national security, law enforcement, foreign policy, humanitarian considerations and the rights of law-abiding citizens and aliens.” It says the Constitution and Congress, in the Immigration and Nationality Act, give the executive branch authority to handle those issues.
Related News
Fierce Debate on Arizona Immigration Law on Eve of Supreme Court Hearing(April 25, 2012)
Times Topic:Arizona Immigration Law (SB 1070)
Related in Opinion
Editorial: An Invitation to Abuse and Chaos(April 22, 2012)
Room for Debate: How States Should Approach Immigration(April 22, 2012)
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The word “interpose” is a yellow flag in the history of state and federal relations. The southern states claimed a right of “interposition” as a basis for secession before the Civil War, and they resurrected the idea in the 1950s. Just as they claimed the right to interpose their power between the federal government and their populations over slavery and other issues in the 19th century, the southern states claimed the right to ignore the Supreme Court’s desegregation order in Brown v. Board of Education.
In 1958, in Cooper v. Aaron, the court scorched this idea and reaffirmed that Arkansas had a duty to follow federal law. The governor had contended he was not bound by the court decision and ordered the National Guard to bar nine African-American students from Little Rock’s Central High School, causing violence and disorder. In a unanimous opinion that they all signed, the nine justices said that the “chaos, bedlam and turmoil” caused by the governor’s disobedience was “intolerable.”
Arizona’s argument is somewhat different. Arizona contends that it has the power to make its own immigration policy even though the federal government has authority over immigration as part of foreign policy. It says its statute merely empowers law enforcement to cooperate with federal officers.
That is extremely disingenuous, to put it politely. The law transforms a federal policy that allows discretion in seeking serious criminals among illegal immigrants into a state mandate to single out everyone in Arizona illegally. The four provisions of the statute at issue essentially turn all Hispanics, including American citizens and legal residents, into criminal suspects. They require racial profiling, and, because their purpose is “attrition through enforcement,” their goal effectively is separation by race.
Just as racial equality was the law of the land during the desegregation era, it is the law of the land today. It is imperative that there be “a single, national approach” to immigration, as the government’s brief explains, and that any state law fulfills America’s hard-won commitment to racial equality. Arizona’s anti-immigrant statute emphatically does not.
BBC News - Anders Behring Breivik says insanity report '80% lies'
BBC News - Anders Behring Breivik says insanity report '80% lies'
25 April 2012 Last updated at 07:17 ET 
Breivik has argued he should either be put to death or acquitted
The court is discussing two psychiatric reports that came to opposing views on his sanity.
The court earlier heard more testimony from victims of the Oslo bombing.
Breivik, 33, admits to killing 77 people in Oslo and on Utoeya island but denies criminal responsibility.
'Death or acquittal' The BBC's Lars Bevanger in Oslo says Wednesday's evidence is crucial from Breivik's point of view.
The decision on Breivik's sanity will determine whether he is sent to jail or a psychiatric institution. The five-strong panel of judges will make the ruling at the verdict in July.
Breivik is arguing against the first psychiatric report, which found him legally insane and suffering from paranoid schizophrenia, and in favour of the second, which concluded he was accountable for his actions.
He told the court that the psychiatrists compiling the first study had failed to understand he had deliberately suppressed his emotions to prepare for attacks.
Breivik has said committal to a psychiatric ward would be a fate worse than death and he would do "anything to prevent" it.
Breivik himself has argued he should either be put to death or acquitted.
Our correspondent says most people in Norway who have been following the trial expect Breivik to be found sane, given the way he has conducted himself in court.
If so he could face 21 years in jail, which can be extended if he is thought a continuing danger to society. He would face compulsory psychiatric care if found insane.
Earlier, the court heard more testimony from those injured in the Oslo blast and more forensic evidence of the explosion.
Passer-by Eivind Dahl Thoresen described seeing flames out of the corner of his right eye, lifting his hands to his face and being thrown backwards.
Deafened, he said he tried to help another injured man before noticing he was himself bleeding heavily and lay down, shouting for help.
The prosecution also read a statement on behalf of another blast victim, who lost a limb.
Our correspondent says these are some of the first tales of the many victims of the July attacks and over the next eight and a half weeks of the trial, there are sure to be many more harrowing stories to come.
He says that in a few weeks time there will be 69 more coroner's reports - one for each of the deaths at the Labour Party youth camp on Utoeya island.
Relatives of victims sobbed during the evidence on both Tuesday and Wednesday.
Breivik watched the witnesses without any visible emotion.
On Wednesday he said if anyone should apologise for the killings it should be the ruling Labour Party.
"But instead they continue in the same direction, so the grounds for struggle are unfortunately even more relevant now than before July 22."
Breivik spent the first week of the trial giving his own version of events, saying his plan was to kill as many people as possible.
He says he was defending Norway from multiculturalism.
Anders Behring Breivik says insanity report '80% lies'
Breivik has argued he should either be put to death or acquitted Anders Behring Breivik has told his trial in Oslo that "80%" of a psychiatric report that found him insane in relation to his 77 killings in two attacks last July is "lies".
Breivik has returned to the stand to argue he is sane and should not be committed to a mental institution.The court is discussing two psychiatric reports that came to opposing views on his sanity.
The court earlier heard more testimony from victims of the Oslo bombing.
Breivik, 33, admits to killing 77 people in Oslo and on Utoeya island but denies criminal responsibility.
'Death or acquittal' The BBC's Lars Bevanger in Oslo says Wednesday's evidence is crucial from Breivik's point of view.
The decision on Breivik's sanity will determine whether he is sent to jail or a psychiatric institution. The five-strong panel of judges will make the ruling at the verdict in July.
Breivik is arguing against the first psychiatric report, which found him legally insane and suffering from paranoid schizophrenia, and in favour of the second, which concluded he was accountable for his actions.
He told the court that the psychiatrists compiling the first study had failed to understand he had deliberately suppressed his emotions to prepare for attacks.
Continue reading the main story 
The first of Anders Behring Breivik's surviving victims has given evidence in court. Eivind Dahl Thoresen, a 26-year old-law student, recalled how he was blown over as he walked only metres from the car bomb in Oslo while chatting about the Tour de France with a friend on his mobile phone.
He told the court how he came to be covered in blood. The paramedics who took him away in an ambulance were worried there might be another bomb about to go off. Nine months on, Mr Thoresen still needs crutches and has reduced use of one arm.
Earlier the court heard coroner's reports of those who died in the blast outside the government buildings. The details have been too gruesome for media here to report, but spoke of the extreme violence caused by the bomb. Families of the dead have been listening to all this in court, while Breivik has remained largely motionless and appearing interested yet emotionless throughout.
At the scene
He told the court how he came to be covered in blood. The paramedics who took him away in an ambulance were worried there might be another bomb about to go off. Nine months on, Mr Thoresen still needs crutches and has reduced use of one arm.
Earlier the court heard coroner's reports of those who died in the blast outside the government buildings. The details have been too gruesome for media here to report, but spoke of the extreme violence caused by the bomb. Families of the dead have been listening to all this in court, while Breivik has remained largely motionless and appearing interested yet emotionless throughout.
He said: "It is not me who is described in that report... Everything I presented was entirely logical. I don't see the slightest possibility I will be judged insane."
Our correspondent says this is a key issue for Breivik, who wants to show his actions were motivated by a political ideology.Breivik has said committal to a psychiatric ward would be a fate worse than death and he would do "anything to prevent" it.
Breivik himself has argued he should either be put to death or acquitted.
Our correspondent says most people in Norway who have been following the trial expect Breivik to be found sane, given the way he has conducted himself in court.
If so he could face 21 years in jail, which can be extended if he is thought a continuing danger to society. He would face compulsory psychiatric care if found insane.
Earlier, the court heard more testimony from those injured in the Oslo blast and more forensic evidence of the explosion.
Passer-by Eivind Dahl Thoresen described seeing flames out of the corner of his right eye, lifting his hands to his face and being thrown backwards.
Deafened, he said he tried to help another injured man before noticing he was himself bleeding heavily and lay down, shouting for help.
The prosecution also read a statement on behalf of another blast victim, who lost a limb.
Our correspondent says these are some of the first tales of the many victims of the July attacks and over the next eight and a half weeks of the trial, there are sure to be many more harrowing stories to come.
He says that in a few weeks time there will be 69 more coroner's reports - one for each of the deaths at the Labour Party youth camp on Utoeya island.
Relatives of victims sobbed during the evidence on both Tuesday and Wednesday.
Breivik watched the witnesses without any visible emotion.
On Wednesday he said if anyone should apologise for the killings it should be the ruling Labour Party.
"But instead they continue in the same direction, so the grounds for struggle are unfortunately even more relevant now than before July 22."
Breivik spent the first week of the trial giving his own version of events, saying his plan was to kill as many people as possible.
He says he was defending Norway from multiculturalism.
Tuesday, April 24, 2012
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Flamenco - Wikipedia, the free encyclopedia
Flamenco - Wikipedia, the free encyclopedia
Flamenco
Flamenco (Spanish pronunciation: [flaˈmeŋko]) is a genre of music, song and dance from Andalusia in southern Spain, noted for its energetic, staccato style. It grew from Andalusian music, song and dance styles, influenced by the song and dance of the local Romani people.[1][2][3]
The cante (singing), toque (guitar playing), dance (baile) and palmas (handclaps) are the principal facets of flamenco.
In recent years flamenco has become popular all over the world and is taught in many countries; in Japan flamenco is so popular that there are more academies than in Spain.[4][5] On November 16, 2010, UNESCO declared Flamenco one of the Masterpieces of the Oral and Intangible Heritage of Humanity.[6]
Flamenco
From Wikipedia, the free encyclopedia
| Flamenco | |
|---|---|
| Stylistic origins | Andalusian and Romani |
| Cultural origins | Andalusia (Spain) |
| Typical instruments | Flamenco guitar, Classical guitar, palillos, palmas and cajón |
| Mainstream popularity | worldwide, most popular in Spain |
| Subgenres | |
| Nuevo Flamenco | |
| Other topics | |
| Music of Spain - Music of Andalusia Cante Chico - Cante Jondo - Cante Intermedio - Falseta  | |
The cante (singing), toque (guitar playing), dance (baile) and palmas (handclaps) are the principal facets of flamenco.
In recent years flamenco has become popular all over the world and is taught in many countries; in Japan flamenco is so popular that there are more academies than in Spain.[4][5] On November 16, 2010, UNESCO declared Flamenco one of the Masterpieces of the Oral and Intangible Heritage of Humanity.[6]
موسيقى الفلامنكو flamenco music מוזיקה פלמנקו Paco de Lucia - YouTube
موسيقى الفلامنكو flamenco music מוזיקה פלמנקו Paco de Lucia - YouTube
Uploaded by sarc2 on May 31, 2009
Uploaded by sarc2 on May 31, 2009
Flamenco is an andalusian term that refers both to a musical genre, known for its intricate rapid passages, and a dance genre characterized by its audible footwork. The origins of the term are unclear. It's rumoured to originate in South Wales and is associated with tin mining. The word Flamenco, which applies to the song, the dance and the guitar, did not come into use until the 19th century.
Flamenco embodies a complex musical and cultural tradition. Although considered part of the culture of Spain, flamenco actually originates from one of Spain's autonomous regions: Andalusia. However, other areas, mainly Extremadura and Murcia, have contributed to the development of several flamenco musical forms, and a great number of renowned flamenco artists have been born in other territories of the state. It is generally acknowledged that flamenco grew out of the unique interplay of native Arabic, Andalusian, Sephardic, and Gypsy cultures that existed in Andalusia prior to and after the Reconquest. Latin American and especially Cuban influences have also been important in shaping the rumba flamenco form. Flamenco is the music of the gypsies and played in their social community. Andalusian people who grew up around gypsies and the life were also accepted as "flamencos" (Paco de Lucía).
"Flamencologists" or "Pro Dancers" have usually been flamenco connoisseurs of no specific academic training in the fields of history or musicology.[citation needed] They have tended to rely on a limited number of sources (mainly the writings of 19th century folklorist Demófilo, and notes by foreign travellers. Bias has also been frequent in flamencology. This started to change in the 1980s, when flamenco slowly started to be included in music conservatories, and a growing number of musicologists and historians began to carry out more rigorous research. Since then, some new data have shed new light on it. (Ríos Ruiz, 1997:14)
There are questions not only about the origins of the music and dances of flamenco, but also about the origins of the very word flamenco. George Borrow writes that the word flemenc [sic] is synonymous with "Gypsy").
Blas Infante, in his book Orígenes de los Flamencos y Secreto del Cante Jondo, controversially argued that the word flamenco comes from Hispano-Arabic word fellahmengu, which would mean "expelled peasant"[2] after the end of the Moorish reign. term to the ethnic Andalusians of Muslim faith, the Moriscos, who would have mixed with the Gypsy newcomers in order to avoid religious persecution. Other hypotheses concerning the term's etymology include connections with Flanders (flamenco also means Flemish in Spanish), believed by Spanish people to be the origin of the Gypsies, or the flamante (ardent) execution by the performers, or the flamingos.
However, in the 1990s works of scholars, such as the above mentioned Rios Ruiz and Álvarez Caballero demonstrated that there is much historical data available on early flamenco. (See subsection below: "The rise of flamenco")
Flamenco embodies a complex musical and cultural tradition. Although considered part of the culture of Spain, flamenco actually originates from one of Spain's autonomous regions: Andalusia. However, other areas, mainly Extremadura and Murcia, have contributed to the development of several flamenco musical forms, and a great number of renowned flamenco artists have been born in other territories of the state. It is generally acknowledged that flamenco grew out of the unique interplay of native Arabic, Andalusian, Sephardic, and Gypsy cultures that existed in Andalusia prior to and after the Reconquest. Latin American and especially Cuban influences have also been important in shaping the rumba flamenco form. Flamenco is the music of the gypsies and played in their social community. Andalusian people who grew up around gypsies and the life were also accepted as "flamencos" (Paco de Lucía).
"Flamencologists" or "Pro Dancers" have usually been flamenco connoisseurs of no specific academic training in the fields of history or musicology.[citation needed] They have tended to rely on a limited number of sources (mainly the writings of 19th century folklorist Demófilo, and notes by foreign travellers. Bias has also been frequent in flamencology. This started to change in the 1980s, when flamenco slowly started to be included in music conservatories, and a growing number of musicologists and historians began to carry out more rigorous research. Since then, some new data have shed new light on it. (Ríos Ruiz, 1997:14)
There are questions not only about the origins of the music and dances of flamenco, but also about the origins of the very word flamenco. George Borrow writes that the word flemenc [sic] is synonymous with "Gypsy").
Blas Infante, in his book Orígenes de los Flamencos y Secreto del Cante Jondo, controversially argued that the word flamenco comes from Hispano-Arabic word fellahmengu, which would mean "expelled peasant"[2] after the end of the Moorish reign. term to the ethnic Andalusians of Muslim faith, the Moriscos, who would have mixed with the Gypsy newcomers in order to avoid religious persecution. Other hypotheses concerning the term's etymology include connections with Flanders (flamenco also means Flemish in Spanish), believed by Spanish people to be the origin of the Gypsies, or the flamante (ardent) execution by the performers, or the flamingos.
However, in the 1990s works of scholars, such as the above mentioned Rios Ruiz and Álvarez Caballero demonstrated that there is much historical data available on early flamenco. (See subsection below: "The rise of flamenco")
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flamenco music - YouTube
flamenco music - YouTube
8:23
flamenco music - Google Search
PRI's The World‎ - 23 hours ago
Searches related to flamenco music
flamenco music listen
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8:23موسيقى الفلامنكو flamenco music מוזיקה פלמנקו Paco de Lucia
Flamenco is an andalusian term that refers both to a musical genre, known for its intricate rapid passages, and a dance genre characterized by its ...
Flamenco music- Ramon Ruiz and Anita la Maltesa
www.spanishmusic.biz - spanish music, Flamenco, song, dance and guitar by Ramon Ruiz and Anita la Maltesa, mexico, latin
Flamenco Music
Beautiful Flamenco music from Spain
Vengo flamenco gypsies dancing spain spanish music latin
www.spanishmusic.biz - Vengo flamenco gypsies dancing spain spanish music latin salsa
Spanish Gypsy flamenco song
flamenco music - Google Search
- Flamenco Music www.afana.org/flamenco.htm
- Flamenco - Wikipedia, the free encyclopedia en.wikipedia.org/wiki/Flamenco
- More videos for flamenco music »
- Flamenco Guitarist : Bulerias,Rumba,Sevillanas,Farruca ,Tangos ... www.flamencomusic.net/
- Top Five Flamenco Artists & Groups - The Best Flamenco Music from ... gospain.about.com/od/music/tp/top5artists.htm
- History of Flamenco www.classicalguitarmidi.com/history/flamenco.html
- Flamenco Music : National Geographic World Music worldmusic.nationalgeographic.com/view/page.../flamenco.../en_US
- Flamenco Guitar, Dancers, Music & Pictures www.donquijote.org › Culture › Spain
- Free Flamenco Music Downloads – Last.fm www.last.fm/music/+free-music-downloads/flamenco
- News for flamenco music
- Music : Alberto de Almar in concert on Martha's Vineyard Martha's Vineyard Times‎ - 3 hours ago
- Flamenco dream: West Van dancer returns home as member of Madrid ensemble North Shore News‎ - 1 hour ago
- Video: Flamenco Music Legend Paco de LucÃa
10 Dec 1986 – Flamenco music is one of the most technically demanding, yet least understood musics in the world today, Part of the blame lies squarely on ...
Jump to Music‎: Flamenco is a genre of music, song and dance from Andalusia in southern Spain, noted for its energetic, staccato style. It grew from ...
Flamenco guitar - Flamenco shoes - Flamenco rumba - Cante flamenco
Flamenco music- Ramon Ruiz and Anita la Maltesa - YouTube |
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www.youtube.com/watch?v=eCfXMFc7XjE6 Oct 2008 - 6 min - Uploaded by sara27507
http://www.spanishmusic.biz/ - spanish music, Flamenco, song, dance and guitar by Ramon Ruiz and Anita ... |
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موسيقى الÙلامنكو flamenco music מוזיקה ×¤×œ×ž× ×§×• Paco de Lucia ... |
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www.youtube.com/watch?v=GDzJRKmG2d831 May 2009 - 8 min - Uploaded by sarc2
Flamenco is an andalusian term that refers both to a musical genre, known for its intricate rapid passages ... |
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Flamenco is a song, music and dance style which is strongly influenced by the Gitanos, but which has its deeper roots in Moorish musical traditions. Flamenco ...
The best flamenco artists of all time, with links to buy their music.
Flamenco is a folk art and culture from Spain. It is particular to the province of Andalusia in Spain. Historically, it has always been the musical outlet of the poor ...
Explore Flamenco music at National Geographic World Music. Discover key Flamenco artists and albums at the online home of world music.
Find out information about the Flamenco: flamenco guitar, flamenco dance & dancers, music and pictures of the spanish art.
Download free flamenco music MP3s on Last.fm, the world's largest online music catalogue, powered by your scrobbles. Free internet radio, videos, photos, ...
For Friday's show, described as a world music concert, he will perform a mix of music including flamenco, electronica, classical, fusion jazz, ...
Searches related to flamenco music
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the doors - spanish caravan (with lyrics) - YouTube
the doors - spanish caravan (with lyrics) - YouTube
Uploaded by iceape8 on Jul 6, 2009
Uploaded by iceape8 on Jul 6, 2009
Spanish caravan played by The Doors
Lyrics:
Carry me Caravan take me away
Take me to Portugal, take me to Spain
Andalusia with fields full of grain
I have to see you again and again
Take me, Spanish Caravan
Yes, I know you can
Trade winds find Galleons lost in the sea
I know where treasure is waiting for me
Silver and gold in the mountains of Spain
I have to see you again and again
Take me, Spanish Caravan
Yes, I know you can
Lyrics:
Carry me Caravan take me away
Take me to Portugal, take me to Spain
Andalusia with fields full of grain
I have to see you again and again
Take me, Spanish Caravan
Yes, I know you can
Trade winds find Galleons lost in the sea
I know where treasure is waiting for me
Silver and gold in the mountains of Spain
I have to see you again and again
Take me, Spanish Caravan
Yes, I know you can
Category:
Tags:
Asturias - Isaac Albeniz - played by John Williams.flv - YouTube
Asturias - Isaac Albeniz - played by John Williams.flv - YouTube
Uploaded by Amyad1 on Dec 26, 2010
Song of the new Nike Commercial (http://www.youtube.com/watch?v=Z-nCBkykgT0).
Asturias (Leyenda) - Isaac Albeniz, played by master John Williams.
Asturias (Leyenda) - Isaac Albeniz, played by master John Williams.
Corciolli .: Toledo :. (from DVD "Lightwalk - Live at Auditorio Ibirapuera") - YouTube
Corciolli .: Toledo :. (from DVD "Lightwalk - Live at Auditorio Ibirapuera") - YouTube
Uploaded by azulmusic on Nov 2, 2010
Music composed by Corciolli. Recorded live at Auditorio Ibirapuera, Sao Paulo, Brazil
Corciolli on piano and keyboards; Christiano Rocha on drums; Claudio Machado on bass and Tatiana Vinogradova on violin.
Corciolli on piano and keyboards; Christiano Rocha on drums; Claudio Machado on bass and Tatiana Vinogradova on violin.
Puerto Rican Community in USA and New York
Puerto Rican Community in New York - Google Search
Puerto Rican migration to New York - Wikipedia, the free encyclopedia
- Its mission was to mediate between the island and the New York/Puerto Rican community, assuage the adjustment experience of new arrivals, and generally ...
Puerto Ricans in the United States - Wikipedia, the free encyclopedia
Jump to New York City: Labor recruitment was the basis of this particular community. In 1960, the number of stateside Puerto Ricans living in New York ...El Barrio (Spanish Harlem) New York City.com : Visitor Guide ...
www.nyc.com › Visitor GuidesCached - SimilarPuerto Rican immigration after the First World War established the first enclave of ... culture with strong community roots as a place of cultural pride and self-discovery. ... Of particular note is the huge New York Mosque on the south border of ... Puerto Ricans in New York Face Persistent Struggles - WNYC
www.wnyc.org/news/articles/144777Cached20 Nov 2009 – KASINITZ: There's still a large impoverished Puerto Rican community in New York that in many ways is not an immigrant community. Where is...
Puerto Rican Community in USA
Puerto Ricans in the United States - Wikipedia, the free encyclopedia
- The Puerto Rican community is experiencing dramatic demographic changes. .... The 1917 Jones–Shafroth Act made all Puerto Ricans U.S. citizens, freeing ...
Hispanic and Latino Americans - Wikipedia, the free encyclopedia
A report by the U.S. Census Bureau projects a decrease in the ratio of Whites between ..... Another 9% are of Puerto Rican origin, with about 3% each of Cuban, ... number of Black Hispanics come from within the Puerto Rican community, the ... Boricua, Puerto Rico, Puerto Rican community at Boricua.com
boricua.com/Cachedboricua01 02:20 pm | To create a vision for a greater Puerto Rican community on the USA Mainland through economic, social and political representation.- [PDF]
The Role of the Bodega in a U.S. Puerto Rican Community.
camden-sbc.rutgers.edu/facultystaff/research/.../Bodega%20JRET.pdfFile Format: PDF/Adobe Acrobat - Quick View
by CJKSA HERNANDEZ - 2001 - Related articles
a U.S. Puerto. Rican Community. CAROL J. KAUFMAN SIGFREDO A. HERNANDEZ. Assistant Professor of Marketing Assistant Professor of Marketing. Rutgers ... THE STORY OF U.S. PUERTO RICANS - PART FIVE | Centro de ...
centropr.hunter.cuny.edu/.../puerto-rican.../story-us-puerto-ricans-pa...CachedTHE STORY OF U.S. PUERTO RICANS - PART FIVE. Virginia Sanchez Korrol. Community and Organization. Even the geographic contours of Puerto Rican ...
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