Sunday, May 5, 2013

5/5/2013: US turns to aerial tools in Caribbean drug fight - Dubuque Telegraph Herald - 5/5/2013 - caribbean - Google News | STUDY: Facebook can lead to Psychosis http://bit.ly/13e7qAG - 5/4/2013 - Caribnews

8:07 AM 5/5/2013



El Ombugallero azul



US turns to aerial tools in Caribbean drug fight - Dubuque Telegraph Herald - 5/5/2013 - caribbean - Google News


Tax, globalisation and the Caribbean - Jamaica Gleaner - 5/5/2013 - caribbean - Google News

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NPR



latin america

Violence, Hardship Fuels Central American Immigration To U.S.(30)  

Honduran Army soldiers patrol streets in Tegucigalpa, Honduras, in April. Gang violence has many Hondurans fleeing to the U.S.
While Mexican immigration to the U.S. has slowed in recent years, the number of Central Americans heading north has been on the rise. Last year, the number of illegal border-crossers caught from countries other than Mexico, mainly from Honduras and El Salvador, hit nearly 100,000 — more than double the year before.




'The Great Gatsby': Retold Again, With A Distinct Treatment - KMUW - 5/5/2013 - Top Stories - Google News




Movie Interviews
4:51 AM
SAT MAY 4, 2013

'The Great Gatsby': Retold Again, With A Distinct Treatment

Originally published on Sat May 4, 2013 10:53 am

Transcript
SCOTT SIMON, HOST:
This is WEEKEND EDITION from NPR News. I'm Scott Simon. "The Great Gatsby" is a classic that keeps getting retold. F. Scott's Fitzgerald 1925 novel about a man who reinvents himself, and posh guys and flappers who, to quote some famous words, "smashed up things and creatures and then retreated back into their money or their vast carelessness, or whatever it was that kept them together, and let other people clean up the mess they had made" has been made into a film six times. It's also been turned into an opera, stage plays, a musical - a story that people keep retelling in their own time and way. And now, a famously Australian director has brought a new version to the screen.
(SOUNDBITE OF MOVIE, "THE GREAT GATSBY")
TOBEY MAGUIRE: (as Nick Carraway) Did you get an invitation?
UNIDENTIFIED WOMAN: (as character) People aren't invited to Gatsby.
MAGUIRE: I was. Seems I'm the only one. Who is this Gatsby?
GUS MURRAY: (as Teddy Barton) He was a German spy during the war.
UNIDENTIFIED WOMAN: Teddy Barton, Nick Carraway.
MAGUIRE: A German spy?
MURRAY: No, no, no, no. He's a Kaiser (unintelligible).
UNIDENTIFIED WOMAN: I heard he killed a man once.
UNIDENTIFIED MAN #1: (as character) It's true.
UNIDENTIFIED MAN #2: (as character) Killed for fun, free of charge.
UNIDENTIFIED MAN #1: (as character) He's certainly richer than God.
SIMON: Baz Luhrmann is known for turning classics inside out. His previous films include "Moulin Rouge," "Romeo + Juliet," and "Australia." His "Great Gatsby" stars Leonardo DiCaprio, Carey Mulligan, Tobey McGuire, Joel Edgerton and Isla Fisher. Baz Luhrmann joins us from New York. Thanks so much for being with us.
BAZ LUHRMANN: I'm really happy to be here, Scott.
SIMON: What's it like to shoot a story that so many people feel, having read it or seen one or more of the movies or more of the treatments, having the book more than once, a story that so many people feel they know already?
LUHRMANN: Look, a couple of things - one is everybody owns "Gatsby." That's why it's a great work. They've own their interpretation of Daisy. It's like "Hamlet." If a work is great, in my estimation, it moves through time and geography and it's there to be interpreted. To quote Benjamin Britton, "in many different ways at many different times." And what was my process? Whatever people think - the 3-D, the music, all that sort of handwringing - every single decision came from a deep, many years of deep research, came from an attitude, which is what would Scott have done?
SIMON: You've done a couple of interviews where you have intimated that you decided to use 3-D and you decided to use contemporary music because, in fact, it was being faithful to F. Scott Fitzgerald.
LUHRMANN: I don't know, Scott, if faithful is the right word, but what I know is this: I know that F. Scott Fitzgerald took African-American street music called jazz and he put that music right front and center in the book of "The Great Gatsby." I mean, but people were saying why putting jazz in your book? It's going to be a fad. It'll be gone next week. And he did it because he was, if nothing else, he was not nostalgic. He was pop cultural.
And I wanted the audience to feel when they saw the movie as the readers of the book in 1925 would have felt when they read that book. And that would have been that the book was immediate, it was now, it was the music written in the book was dangerous and from the street. And so I hatched this plot to blend between traditional jazz - and, yes, Jelly Roll Morton is in the movie - but also into what I think is the African-American street music of today that is visceral and in the moment, and that is hip-hop. And so I was lucky enough to elaborate with the other Jay - the Jay of the Z - and - as opposed to the Jay of the G - and that collaboration led to a weave of music.
(SOUNDBITE OF SONG)
BEYONCE: (Singing) I look and stare so deep in your eyes, I touch on you more and more every time. When you leave, I'm begging you not to go. Call your name two, three times in a row. Such a funny thing for me to try to explain, how I'm feeling and my pride is the one to blame. 'Cause I know I don't understand, just how your love is doing no one else can...
LUHRMANN: And that brings us, I guess, to 3-D.
SIMON: OK. Thank you. 3-D...
LUHRMANN: Well, F. Scott Fitzgerald was extremely focused on the modern. He liked modern technique, and he particularly was enamored of the cinema. So, he took cinematic ideas and devices and used them in his writing. You know, compressions, time jumps. It's why that slender novel is so compressed. Now, when I began this, I was thinking, OK, cinematic technique - F. Scott Fitzgerald, would he turn away from the modern? He would be looking for what the most advanced techniques? Now, we all know that the novel begins with a whole lot of razzle-dazzle and the champagne and the dancing and the stars and so on. And then you're drawn down into, fundamentally, five characters in the plaza, in a room in the plaza, just around the corner from where I am, tearing their hearts out at each other - intense and singular emotional smashing. And it's those things in 3-D that I think are our special effect.
SIMON: I was impressed by the way you seem to make a point of putting famous passages and speeches into the film, and not just into the screenplay and have actors utter them, but, I mean, literally into the film.
LUHRMANN: Yes.
SIMON: Why'd you do that? How'd you do that?
LUHRMANN: Well, the big thing was how do you not just have disembodied voiceover? 'Cause if you do, you don't get much F. Scott Fitzgerald into the movie. So, I had this notion: Nick Carraway is writing a book in "The Great Gatsby." Gatsby, who is the subject of this book, reading over what I have just written, he says. So, we thought wouldn't it be great to see him writing this book, struggling with his feelings about Gatsby? So, the idea that Nick is, having cracked up, is in a sanitarium and he is writing the story about his feelings for Gatsby, and, of course, as he writes, it's turning into a book, because we know that Carraway has an interest in writing and gives it up to go into the bond business. So, no he's writing a book and there comes moments when the words used in 3-D become the image and the image become the words. Because I loved this idea. I called it poetic blue. I loved this idea that the words were taking us into Nick's mind and Nick's mind was taking us into the words. It was saying how can I make the audience feel that we're inside Nick's head, but we're also on this exciting ride?
SIMON: Why does Nick tell Gatsby that he's worth the whole bunch of them?
LUHRMANN: Because, I think - let me tell you something, when Jay-Z saw the rough cut, and he summed it up so perfectly, he said, you know, it's such an aspirational film because it's not about how Gatsby really made his money, it's about whether he's a good person or not. Does he have a moral compass, does he have a cause? And, of course, to quote you, Scott, you made reference to one of the great quotes - they were careless people, you know, Tom and Daisy. They smashed up people and things and retreated into their vast carelessness and their money and so on and so forth. Are they good people? Do they have a cause? Do they have a moral compass? Haven't we just gone through a period of where, oh, so, you know, Wall Street, no questions, don't ask. I mean, it was in our way when the crash came that I realized having gotten my hands finally around the rights, I had to make this film. Because it isn't just a romance. Of course, it's a grand romance and there's a question as to where the romance actually lies, and that's interpreted for each audience member. But it's really more than anything an extraordinary comment, I think, on the American Dream.
SIMON: Baz Luhrmann. His new film is his distinct treatment of "The Great Gatsby" with Leonardo DiCaprio and Carey Mulligan. Thanks so much for being with us.
LUHRMANN: Enjoyed our talk, Scott.
(SOUNDBITE OF MUSIC) Transcript provided by NPR, Copyright NPR.

RELATED PROGRAM:



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The Best Entrepreneurs Don't Come Up With Great Ideas, They Solve Market Needs - 5/5/2013 - Forbes - Business




Forbes Thought Of The Day

 How my achievements mock me! ”
— William Shakespeare



Action Trumps Everything
SUCCEEDING IN THE NEW WORKPLACE (AND LIFE).









ENTREPRENEURS
 
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5/05/2013 @ 6:01AM |476 views

The Best Entrepreneurs Don't Come Up With Great Ideas, They Solve Market Needs

We have had a lot of fun in previousposts coming up with ideas for new companies.
And there is absolutely no doubt in my mind that some of them—like a Shazam-like app that identifies cars, and an automated airline seat grabber—could be successful.
“But why are you are giving away these ideas,” lots of people have asked.
The answer is simple, even if it has multiple parts.
1. I don’t want to run anything. Once upon a time, I was a middle manager for the largest division of a Fortune 500 company and not only did I hate it, I may have been the worst boss who ever lived. Really.
2. Like everyone else, I believe what is just as important as the ideayou have come up with is a) the team you assemble and b) how you execute the idea. And I have no intention of doing either. See point #1.
3. I think good ideas—and even GREAT ideas—are incredibly commonplace and are not worth very much.
And that’s the key.
You and I can come up with wonderful ideas all day long but unless they satisfy a large enough need, one that can support a business, they don’t do anyone any good.
Yes, I would (probably) purchase all the products and services I came up with as a result of trying to generate new ideas.  But, I have absolutely no idea if anyone else would buy.  I may have simply come with things that would make my life better, but no one else’s.
That’s why you always want to start with a market need.
Now, could I do the research and see which of my six ideas resonated most with potential buyers. Absolutely.
But do I want to invest all that effort?
No.
So, if you want to take any of my ideas and run with them, please do. (Just remember me when you are rich and famous.)
If you don’t want to develop them, then just remember this:  The secret of creating a successful product or service is beginning with the market need.
###
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Obama Touts Private Sector for Central American Development - 5/5/2013 - Latin American Herald Tribune




Obama unsure whether expanded pre-K will pass - 5/4/2013



Interview with Former Puerto Rico Gov. Luis Fortuno - 5/4/2013 - Puerto Rico News - Selected Feeds




Former Governor Luis Fortuno Talks to CBS Puerto Rico - 4/24/2013



Gunmen open fire on restaurant crowd in Puerto Rico: 4 killed, 6 injured - New York Daily News - 5/4/2013





Not Teaching English Causes High Jobless Rate in Puerto Rico - 5/3/2013 - JF




Getting Emotional about Puerto Rico’s Status: Mainland Press vs. Social Media - 4/28/2013 - hadeninteractive


Movimientos políticos exigen descolonización de Puerto Rico - 6/20/2011 - teleSUR tv



Independence voice Noriega dies at 68 - 5/4/2013


Independence voice Noriega dies at 68
Issued: May 4, 2013
Puerto Rican independence leader David Noriega died on Saturday after a bat ...












Decenas de amigos y allegados llegan al velatorio de David Noriega - 5/4/2013


Lawmakers debate driver's licenses for undocumented immigrants - Norwich Bulletin - 5/4/2013 - (author unknown)

A worrying crime prediction - The Freeport News - 5/4/2013










Saturday, May 4, 2013

Lydia we are one disco version caligula love theme | Huffington Post SAT MAY 4TH, 2013BRIE DYAS Ernest Hemingway's House In Key West Has Charm, Cats And A Urinal Fountain (PHOTOS)

Lydia we are one disco version caligula love theme

Uploaded on Aug 6, 2008
When the infamous caligula was released, as part of the promotion the love theme music was released in a disco version.
it's incredibly cheesy - yet great!
  • Category

    Music


    Prokofiev - Romeo & Juliet - Juliet's Funeral And Death




    Uploaded on Jul 10, 2009
    Prokofiev - Romeo & Juliet - Juliet's Funeral And Death

    Ernest Hemingway's House In Key West Has Charm, Cats And A Urinal Fountain (PHOTOS)
    SHARED BY 1 PERSON
    On this day in 1953, Ernest Hemingway won the Pulitzer for fiction for "The Old Man And The Sea." You know, the book you pretended to read in high school. I don't know how you bluffed your way through that essay, either. But as an adult, you'd most likely appreciate the book's straightforward writing style and symbolism.

    You'd also appreciate a look into Papa's home in Key West. He lived at this gorgeous estate between 1931 and 1940, where it served as stomping grounds for his circle of friends (including Marlene Dietrich, of all people) and a six-toed cat.

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    Governo di larghe intese: la guardia del bidone dell'Austerity
    SHARED BY 1 PERSON
    L'autorevole editorialista del Financial Times, Wolfgang Munchau, scriveva sul suo giornale il 28 aprile che "paradossalmente la sola maniera di rendere sostenibile la posizione attuale dell'Italia nell'eurozona consiste, in linea di principio, nella capacità di essere pronti a lasciare l'euro. Se invece, per principio preso, il governo italiano scarta questa opzione, aumenta davvero per l'Italia la probabilità di uscire dall'euro, poiché ci sarà una minore pressione sui paesi dell'eurozona nell'attuare i cambiamenti necessari".

    La risposta italiana non si è fatta attendere. In modo implicito nel recente tour di Enrico Letta, fatto più che altro per rassicurare la Merkel e Barroso, senza al contempo dispiacere troppo ad Hollande. In modo esplicito nell'intervista del nuovo ministro dell'economia a Repubblica del 3 maggio, nella quale Fabrizio Saccomanni definisce senza se e senza ma il deficit del 3% (e quindi tutta l'impalcatura dei trattati europei vecchi e nuovi) "un limite invalicabile, per quest'anno e per quelli successivi".

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    Hot Docs 2013: 'Furever' Is The Festival's Crazy Cat Lady
    SHARED BY 1 PERSON
    Hot Docs has always done a fantastic job finding the stories that ask what it means to be human, even if it means screening documentaries on animals to do it.

    2013 was another stellar year at the festival for films that explored the animal kingdom, from one man’s love for a fox to delving inside the mind of a killer whale. Special mention goes to the Canadian production "The Ghosts In Our Machine"which begs serious ethical questions about our relationship with sentient beings in a world fraught with factories and fur farming.

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    Syrians Flee Sunni 'Sectarian Cleansing' By Assad Forces In Costal Towns Banias And Al-Bayda
    SHARED BY 1 PERSON
    Thousands of Syrians have fled costal towns, amid reports that roving pro-government gunmen were targeting people in the area, killing men, women and children.

    Gruesome images of burnt bodies, dead or dying children and mutilated corpses, purportedly from the towns, were widespread on TV stations and video sites. Experts at AP said they appeared genuine.

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    Darrell Issa: State Department Officials To Testify On Benghazi Attack
    SHARED BY 1 PERSON
    Rep. Darrell Issa (R-Calif.) said three witnesses will testify Wednesday on the 2012 terrorist attack on the American diplomatic post in Benghazi, Libya.

    State Department officials Gregory Hicks, Mark Thompson and Eric Nordstrom were identified as the "whistleblowers" who will testify on the Benghazi attack that left U.S. ambassador Chris Stevens and three other Americans dead.

    More...



    U.S. Monitoring Venezuela's Political Crackdown On Opposition, Obama Says
    SHARED BY 1 PERSON

    May 3 (Reuters) - The United States is watching "crackdowns on the opposition" in Venezuela, President Barack Obama said in a television interview aired on Friday when asked if he considered newly elected Nicolas Maduro to be the country's legitimate president.
    Maduro, elected in April by a narrow margin, earlier this year accused the United States of seeking to kill opposition leader Henrique Capriles to stir chaos and spark a coup. Maduro's mentor and predecessor, the late Hugo Chavez, was one of the world's most vocal critics of the United States.
    "I think that the entire hemisphere has been watching the violence, the protests, the crackdowns on the opposition," Obama said in the interview with Univision News during a trip to Mexico. "I think our general view has been that it's up to the people of Venezuela to choose their leaders in legitimate elections."
    Opposition-led protests the day after the April 14 vote turned violent and, according to the government, caused nine deaths. Maduro accused Capriles of trying to start a coup against him.
    The opposition says officials exaggerated the violence, and some of the deaths were caused by common crime. It accuses the government of persecuting state employees who voted for Capriles, and arresting some activists, in what it calls a wave of repression.
    "Our approach to the entire hemisphere is not ideological. It's not rooted back in the Cold War. It's based on the notion of our basic principles of human rights and democracy and freedom of press and freedom of assembly. Are those being observed?" Obama said.
    "There are reports that they have not been fully observed post-election," he added. "I think our only interest at this point is making sure that the people of Venezuela are able to determine their own destiny free from the kinds of practices that the entire hemisphere generally has moved away from."
    Obama held up Mexico's peaceful transition from a conservative to a centrist government last year, and flagged examples in Colombia, Chile and Peru.
    The United States angered Maduro when it last month held back recognition of his narrow victory over Capriles. (Reporting by Steve Holland and Mark Felsenthal; Writing by Simon Gardner; Editing by Lisa Shumaker)

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DIBUJOS
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